![]() As Egan shows, Curtis traveled nearly everywhere, living with the people he was studying, taking thousands of photographs. His children, however, remained loyal, some later helping him with his project. Morgan and President Theodore Roosevelt were both supporters, though the former eventually took over the copyrights and sold everything to a collector during the Depression for $1,000-and spent most of his time away from home, a decision that cost him his marriage. Curtis scrambled all his life for funding-J.P. Curtis-who’d begun a Seattle photography shop-photographed her, became intrigued with the vanishing lives of America’s Indians and devoted the ensuing decades both to the photography of indigenous people all over North America and to the writing of texts that described their culture, languages, songs and religion. ![]() ![]() Egan begins with the story of Angelina, Chief Seattle’s daughter, who in 1896 was living in abject poverty in the city named for her father. This is an era of excessive subtitles-but not this one: “Epic” and “immortal” are words most fitting for Curtis, whose 20-volume The North American Indian, a project that consumed most of his productive adult life, is a work of astonishing beauty and almost incomprehensible devotion. ![]() New York Times Pulitzer Prize–winning writer Egan ( The Big Burn: Teddy Roosevelt and the Fire that Saved America, 2009, etc.) returns with the story of the astonishing life of Edward Curtis (1868–1952), whose photographs of American Indians now command impressive prices at auction. ![]()
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